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Entries in James Marsden (2)


Straw Dogs compared: an in-depth look at the 1971 original and 2011 remake

As the release date for this year’s version of Straw Dogs approached, I noticed that expectations among my friends and fellow film-lovers were strikingly polarized. Those already familiar with Sam Peckinpah’s version decried the remake as blasphemy, boldly proclaiming that it would never pack the same punch as its predecessor. On the other hand, many were unaware that it was a remake at all, having never seen, or even heard of, the 1971 version. Though I was familiar with the original, I had never given it a proper viewing (it languinshed for years in the depths of my “to watch” list). But seeing the remake stoked my curiosity, and I finally sat down to watch the original and gauge for myself what all the fuss was about. What follows below is a fairly comprehensive comparison between the two--thoughts and impressions on several major components of each film, and how they stack up.

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THE BOX is perplexing but powerful (Review)


Never push the big red button. It's never a good idea. Things blow up, people die, civilizations end, bad guys laugh. Still, it's always too tempting to resist. The big red button is a problem for us, it seems. In The Box that button does two things: it rewards you with one million dollars and ends the life of someone you do not know. Is it worth it? It's certainly worth exploring.

Would you walk naked down Time's Square on a busy day if someone promised peace somewhere else in the world? Would you really sacrifice your dignity for those you don't know? Richard Matheson asks this in the forward to his short story, Button, Button.

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